1.
Cyrus Console publicó el año pasado su epopeya contemporánea The Odicy (Omnidawn, 2011):
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2.
Y Joshua Marie Wilkinson le contesta desde las páginas de Bomb magazine –aquí– con su poema Theodicy:
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Why violence likes to get
unconcealed occasionally,
nightlong, & break some vessels.
You mean, the long drawn‐out
second take of the tunnel scene?
Or the scene where a child’s
encounter on the film set
gets everybody behind
the camera to crying?
That’s not the wound
we thought long for—
Nor even the one we knew
we might have to defend.
The coils of the springs
of the theodicy of being.
Because evil’s a bad measure
of what’s happened here
& even violence can sound
pretty easy in the right mouth.
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3.
Y ambos dialogan -en la distancia- con Leibniz, aquí.
